Comparative Studies
in Emerging Media
Greg Smith
1050 One Park Place
Office Hours: 10-11:30 Mondays
and Wednesdays
(404) 463-9428
gsmith@gsu.edu
This seminar examines the history of
new communication technologies. The communication media that now
seem old to us (telegraph, telephone, television, widescreen film, sound
film, etc.) were once new, and examining these innovations at the point
of their inception and diffusion provides a solid historical background
for understanding today's new media.
What forces are responsible for the
invention of new communication technologies? Why do certain technologies
find a receptive audience, while others die out? As we examine several
different technologies in their original contexts, we will discuss patterns
of social adaptation to the new media. What shapes the expectations
that people have about new communication technologies?
In all our historical investigations,
we will keep an eye to today's new media, trying to ascertain exactly what
is "new" about these current media.
Required texts:
Claude Fischer, America Calling
Tom Standage, The Victorian Internet
Bruno Latour, Aramis
Coursepack (available from the
Copyshop, 6 Decatur Street)
Assignments:
25% reading presentation
20% midterm short paper
40% research paper
15% participation
On the day that each reading is due,
you must hand in a 50-75 word abstract of each chapter/article and a list
of at least (but not limited to) two questions about each chapter/article
(things you don't understand, criticisms of the reading, questions inspired
by the reading).
The participation grade is based on
your in-class performance in oral discussions; on the quality of thinking
in your written abstracts/questions; and on your level of preparation demonstrated
in your final in-class research presentation. If you miss more than
one class in the semester or if you do not regularly hand in written abstracts/questions
or if you do not present your research at the scheduled time, your participation
grade will suffer greatly.
The reading presentation will consist
of a 20-30 minute presentation on one of the books indicated in the reading
list by an asterisk. You will choose a book during the first class,
and you will be prepared to cover the material in that book during the
class period in which we are scheduled to read an excerpt from the book.
You will lead class discussion on the material you present and on the portion
of the book assigned for everyone to read. In this presentation,
you should make sure that you discuss the following key questions, which
are at the center of our seminar:
What argument does this reading
make?
What counts as "evidence" for this
historian?
How are the events of the history organized
in time? Why?
What possible causal factors are de-emphasized/left
out in this account?
What does this historian believe about
the nature of history? Who/what are the primary agents of history?
How do they affect events?
What are the strengths of this reading?
What criticisms do you have of this
reading?
Your presentation will be evaluated based
on how well you cover the basic content in the book; how well you address
the key questions; and how well you facilitate scholarly discussion.
The midterm short paper assignment is
essentially the same as the presentation, except that it is in written
form. For the book you have chosen, you should summarize the book's
argument and address the key questions above in 5-7 pages. This paper
will be evaluated based on how well you address the questions and on how
insightful your criticisms/observations about the book are. The short
paper is due February 25.
This course also requires a traditional
graduate research paper (20 pages) on a subject dealing with the history
of emergent technologies. I am including a (non-exhaustive) list
of sample topics to give you a sense of the kinds of subjects you might
investigate:
The Battle over HDTV Standards
Selling and Subscribing to Second-Generation
Satellite TV (DirecTV, Primestar)
Widescreen Aesthetics in Broadway Musical
Adaptations of the 1950's
Technological Devices As Personal Style
Statements (the iMac, etc.)
The History of the Walkman
The History of Marketing Cellular Phones
The Evolution of Vinyl Record Formats
(78, 45, 33 rpm)
Collectors of Superseded Technology
(vinyl records)
Congressional battles over Satellite
vs. Cable
Importance of Pornography on VCR Sales
in the 1980's
The Furor over the "Big Blue" Chess
Matches
Popular Discourses about Difficulties
in Programming VCRs
The Portrayal of Technological Innovation
in Popular Science Magazine
All research paper topics must be
approved by the instructor. In addition, you must hand in a tentative
research bibliography by March 11. During the last 3 weeks of class
you will present your research to the seminar at a scheduled time.
The final paper is due by May 6.
Late assignments will not be accepted.
Plagiarism/cheating in any form will not be tolerated and will result in
failure for the entire course and possible termination from the program.
The course syllabus provides a general plan for the course; deviations
may be necessary. Please turn off all cellular phones, pagers, etc.
at the beginning of class.
Class Schedule
| January 7 |
Introduction |
| 14 |
Modeling Technological
Change
Brian Winston, "Introduction," "The
Telegraph," "Before the Speaking Telephone," and "The Capture of Sound,"
from Media, Technology, and Society
Ch. 1 & 2 Claude Fischer, America
Calling |
| 21 |
Martin Luther
King holiday |
| 28 |
Technology,
Bureaucracy, and Labor>/h4>
Ch. 3 Fischer, America Calling
Susan Douglas, "The Visions and Business
Realities of the Inventors," "Wireless Telegraphy in the New Navy," "Inventors
as Entrepeneurs," from Inventing American Broadcasting (*)
|
| February 4 |
Social History
Ch. 6-9 Fischer, America Calling
Wiebe Bijker, "King of the Road," from Of
Bicycles, Bakelites, and Bulbs (*)
RESEARCH PAPER TOPIC MUST BE APPROVED
BY TODAY |
| 11 |
History of Reception
Susan Douglas, "The Invention of the
Audience," from Listening In
Donald Crafton, "Constructive Criticism,"
from The Talkies (*)
John Belton, "Spectator and Screen,"
from Widescreen Cinema (*)
Lynn Spigel, "The Home Theater," from Make
Room for TV (*) |
| 18 |
The Rhetoric
of Technological "Revolution"
James Carey and John Quirk, "The Mythos
of the Electronic Revolution," from Communication as Culture
Kirkpatrick Sale, "The Luddites, Nov.-Dec.,
1811" and "The Luddites, 1813-," from Rebels against the Future (*)
Sven Birkerts, "The Owl Has Flown,"
"The Woman in the Garden," "Into the Electronic Millenium," from The
Gutenberg Elegies |
| 25 |
Technological
Determinism
Merritt Roe Smith, "Technological Determinism
in American Culture,"
Robert Heilbroner, "Do Machines Make
History?"
Thomas Hughes, "Technological Momentum,"
from Does Technology Drive History? (*)
MIDTERM SHORT PAPER DUE |
| March 4 |
Spring Break |
| March 11 |
Does Technology
Transform Consciousness?
Wolfgang Schivelbusch, "Railroad Space
and Railroad Time," "The Compartment," "Stimulus Shield; or the Industrialized
Consciousness" from The Railway Journey (*)
Walter Benjamin, "The Work of Art in
the Age of Mechanical Reproduction"
Marshall McLuhan, "The Playboy Interview"
Joshua Meyerowitz, "Media and Behavior,"
"Why Roles Change When Media Change," "New Group Identities," from No
Sense of Place
RESEARCH BIBLIOGRAPHY DUE |
| 18 |
How Do Social
Beliefs Shape Technology?
John Durham Peters, "History of an Error"
and "The Quest for Authentic Connection," from Speaking into the Air
Jeffrey Sconce, "Mediums and Media,"
from Haunted Media (*) |
| 25 |
Popular History
Tom Standage, The Victorian Internet |
| April 1 |
Narrativized
History
Bruno Latour, Aramis |
| 8 |
Technologies
Supporting Communication
David Nye, "The Great White Way," from Electrifying
America (*)
Gail Cooper, "Defining the Healthy Indoor
Environment," "Motion Picture Theaters, Human Comfort, and Recirculation,"
from Air Conditioning America (*) |
| 15 |
Student research
presentations |
| 22 |
Student research
presentations |
| 29 |
Student research
presentations |
|